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MILLE MIGLIA 1955.
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About this poster
1,597 kilometres of open Italian road in 10 hours, 7 minutes and 48 seconds, a time nobody ever beat. On 1 May 1955 Stirling Moss drove the silver number 722, its start time painted on the flanks, with the journalist Denis Jenkinson beside him reading pace notes from a roll of paper and signalling every crest and bend by hand. From Brescia down to Rome and back over the Apennines they averaged 157.7 km/h on public roads. Juan Manuel Fangio, driving alone, was second in number 658, and Umberto Maglioli third in the red number 705.
Here it is set in Swiss typography: two pale silver bands and one deep red band reach for the finish line in finishing order, the winner far ahead. A hand-drawn, photorealistic front of the silver open sports racer with its red 722 sits in the corner, and the data row reads like a legend: 10:07:48, 1,597 km, one lap of Italy, 521 starters and 281 finishers.
The image is generated with AI from our researched brief, then reworked and finished by our team in Switzerland. It is an original picture, not a reproduction of any historical photograph.
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THE STORY · Nº 9739
ABOUT THIS POSTER.
1,597 kilometres of open Italian road in 10 hours, 7 minutes and 48 seconds, a time nobody ever beat. On 1 May 1955 Stirling Moss drove the silver number 722, its start time painted on the flanks, with the journalist Denis Jenkinson beside him reading pace notes from a roll of paper and signalling every crest and bend by hand. From Brescia down to Rome and back over the Apennines they averaged 157.7 km/h on public roads. Juan Manuel Fangio, driving alone, was second in number 658, and Umberto Maglioli third in the red number 705.
Here it is set in Swiss typography: two pale silver bands and one deep red band reach for the finish line in finishing order, the winner far ahead. A hand-drawn, photorealistic front of the silver open sports racer with its red 722 sits in the corner, and the data row reads like a legend: 10:07:48, 1,597 km, one lap of Italy, 521 starters and 281 finishers.
The image is generated with AI from our researched brief, then reworked and finished by our team in Switzerland. It is an original picture, not a reproduction of any historical photograph.